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The Target Has Disappeared

by Lizzy Welsh

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about

Australia-based baroque violinist Lizzy Welsh has recorded three new compositions for solo baroque violin—the astounding result of a decade-long process of commissioning repertoire of such work during her doctoral research. Each of the works on « The Target Has Disappeared » initiates an intimate conversation between Welsh and her instrument, outlining the contours of memory and loss, weaving together fragments of old and new traditions in the sound of gut strings.

Compositions for baroque violin performed by Lizzy Welsh.

"Chaconne (for I)", composed by Alexander Garsden.
For baroque violin.

"archive", composed by Samuel Smith.
For solo re-tuned baroque violin.

"The Target has Disappeared", composed by Natasha Anderson.
For baroque violin, voice, and electronics.

Music performed by Lizzy Welsh (baroque violin & voice).

credits

released April 7, 2023

"The Target has Disappeared" recorded by Alexander Stinson on Wurundjeri Woi Wurrung and Boonwurrung Country, April 2019. Edited/mixed by Natasha Anderson & Anthony Pateras on Djaara Country, August 2020–December 2022. 

"Chaconne (for I)" and "archive" recorded by Neil Thomason on Wurundjeri Woi Wurrung Country, July 2020. Edited by Alexander Garsden on Wurundjeri Woi Wurrung Country, July–August 2020. Mixed by Anthony Pateras on Djaara Country, August 2020.

© Discreet editions, 2023.

Artwork and cover design by Discreet.

The commission and studio recording of these works was supported by the Victorian Government through Creative Victoria.

This music was created on the unceded country of the Wurundjeri Woi Wurrung, Boonwurrung, and Dja Dja Wurrung peoples of the Kulin Nation. The artists acknowledge and pay respect to past, present and future Traditional Custodians and Elders of these lands.

*Digital orders come with a pdf sleeve and liner notes.

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Discreet Editions Rotterdam, Netherlands

A record label exploring interactions between experimental contemporary and historically-informed aesthetics in music.

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